Marine Interior Architectural Commission
Project: Marine Interior Architectural Commission
Strata: Eroded Form - Foundational piece from the Eroded Collection.
A foundational piece from the Eroded collection, this sculpture marks a conscious break from the classical tradition of pristine cast bronze. Grounded in the Japanese aesthetic of wabi-sabi, finding beauty in transience, weathered asymmetry and the natural life cycle of materials, the work discards polished surfaces and uniform finishes in favour of geological fissures, coarse textures and reactive chemical patina. Selected for a contemporary marine interior, the piece serves as an elemental, earth hewn anchor against the sleek lines of modern naval architecture.
Architectural Context & Spatial Dialogue
Commissioned to create a focal point for an upscale dining venue aboard an international cruise ship, the studio developed an Eroded Form designed to sit in direct dialogue with the vessel's interior architecture.
Working from architectural space plans and 3D elevation drawings, the sculpture was scaled specifically to anchor a sweeping, curved vertical timber feature wall at the restaurant’s entrance. The soft, organic silhouette and eroded contours provide a tactile, earth hewn counterbalance to the precise geometry of the ship’s contemporary architectural joinery.
Combining both cast and fabricated sections, the sculpture and custom plinth incorporate fully TIG-welded bronze anchored by a heavy gauge internal sub assembly. This concealed framework connects directly to a bespoke baseplate with high tensile threaded studs, enabling seamless, mechanical fixing by the installation team without compromising the artwork’s clean lines.
Surface Preparation & Patination
The sculpture underwent intensive surface preparation, including high pressure water and grit blasting to remove any residual oxides and embedded ceramic shell particles. A multi stage chemical patination followed, foundational base coats were applied to prime the metal, then selectively cut back to accentuate the high points. A layered hot torch patina was then built up gradually to develop a deep, oxidised verdigris across the form, contrasted by warm ferric tones along the outer rim and raised contours. Finally, the reactive surface was chemically stabilised and sealed with a dual barrier of ceramic coating and microcrystalline paste wax.
Logistics & Handover
Handled on an ex-works basis, the studio oversaw the piece from final finishing to collection. The sculpture and its integrated pedestal were secured in an export ready, ISPM15 certified timber crate (total gross weight: 155 kg). Handover documentation included detailed installation drawings, technical specifications and maintenance advice to ensure a smooth install on site.